
As with all fantasies based entirely in an idealistic interpretation of ‘A Passage to India’ and ‘The Moonstone’ (of which, I’m sure, there are many) I came down to earth with a bump (well more of a skid and a bump actually…onto tarmac…but more about that later).
Much to my dismay, India has changed since literature set in the 1940’s. There are McDonalds, clubs with world renowned DJ’s and more traffic than Russia and Shanghai put together. However, after a tour around Mumbai with an exuberant guide I learned that underneath this there is a strong traditional culture where lovers give each other henna tattoos (but no one else mind you) and wives send their husbands home cooked lunch to work every day. Religion is also really important and despite copies of ‘Men are from Mars, Women Are From Venus’ being thrust through car windows in traffic jams for 200 rupees, most Indians prefer to look to Lord Ganesh for relationship wisdom.
Cheered by this I ventured further afield into Goa in search of the technicolour visions of India still swimming in my head from English textbooks.


I certainly got closer to dense jungles and dusty tracks leading to certain adventure. I also, however, got closer to tarmac. Whilst taking in the colourful stalls and insane amounts of cows (they’re sacred in India and omnipresent) at 30pmh I failed to take in a small Chinese man pootling around in the road and after a hasty swerve became the owner of a fully inoperational right foot.
From henceforth my Indian Dream became less about the excitable discovery of a mysterious land and more about the boxset of Prison Break Season 1.
In Prison Break, Season 1 there is a definite lack of long, balmy nights sipping fresh cocktails and wearing khakis. There’s an awful lot of scheming, dashing around by moonlight and squirreling sharp objects up sleeves. It was the latter that kept me entertained in India from my hotel bed. Foot suspended on pillows.
Stay tuned for more Prison Break, Season 1!


